Phatcat Interview

1. What are you working on right now?
Putting together the next releases for the Future Roots label, an LP from Jake Robertz in Mid Feb, and Volume 2 of our compilation series before summer, plus there’ll be a series of freebies and singles in between all that.  I’m also diving a lot of time between developing my live hardware set and working on material for my own LP which will dance around jungle/footwork/160/85 etc plus a long field recording project I’m embarking on through spring of 2017 which bits of will make it into my dance work
2. What was some of your earliest musical influences?
within pop? i kinda liked MJ and the obvious hits of my youth but I kinda got into the local punk scene briefly in high school which quickly segued into the early rave community – the early music I really gravitated towards was hardcore and jungle and drum & bass. I remember getting the CD’s of Goldie’s “Saturns Return” and Plug’s “Drum & Bass 4 Papa” from the public library after my first raves knowing only to search the terms DRUM & BASS, I’m glad these were my entrys to the genre as Goldie’s label Metalheadz has been a important influence to the genre as a whole and Plug(aka Wagonchrist aka Luke Vibert) was a huge pioneer of early experimental breakbeat music yet always say firmly outside the dnb scene proper so having the contrast of these 2 LP’s; one on the inside of the scene and one on the out; was really important – I always had a big respect going forward for the boundary pushers(many of whom have been scoffed at over the years for their boundary pushing but often those boundary pushers are what herald the new evolution of the music
3. How long have you been making music?
I started DJ’ing in 97, but started with production a few years later closer to 2001, so just over 15 years
4. What inspires you?
Risk takers, boundary pushers and the like.  I love it when artists cross genre lines but stay true to who they are – theres tons of the former occurring in dance music, but when it’s joined with the latter the surprises come out!  Of course that and my friends – I’ve been lucky enough to have a group of amazing artist-friends who are constantly inspiring me to do better, to do more!  Thats something I think we forget in the the digital age when seeing all there is out there to take in – we all have potential mentors and friends in our local artistic communities that can help us grow as people and artists and so we mustn’t forget the wealth in our own backyards!
5. What changes would you like to see to the music industry to make it more profitable?
I oddly enough don’t really want to see it get hugely more profitable but rather see Artists taking more fair wages across the board.  On a more local concern, our city of Edmonton could grow its underground music nightlife imensly with some slight relaxing to “last call” regulations making performance hours later.  I’d also love to see more venues that are NOT nightclubs become desirable spots for underground electronic events.
6. My first dubstep (or electronic) show was one of yours; Excision and Datsik  in 2009, at that Greek restaurant downtown! You’ve come a long ways and become an icon of the Edmonton scene
– What would you like to do more of?
Going back to my previous answer – more shows in unique and off the beaten path venues is one thing for sure. I also want to expand Future Roots reach beyond the confines of just “bass” music – not too drastically but widening focus to include those threads of house and techno which I feel are at home within the scope of the Future Roots concept
– Where would you like to see yourself in 10 years?

Much of the same, just more.  Touring my live performance, writing and releasing tracks, developing new artists through the Future Roots label, definitely still DJ’ing, still breaking new and cutting edge artists to the community through our events…the only new thing might be more travel 🙂

7. How long have you been throwing shows? How did you get into it?
Well at the time I began hosting events there was not much going on in the community for Bass/Jungle/D&B events so I set out to create a new series of events under the name “Subterranean Sound”.  The first event I booked was Dieselboy’s first ever Edmonton appearance at The Rev (now known as Starlite Room) and I followed that with an event which would become an annual thing called Four Twenty which was the first “rave” I hosted at the Orange Hall lol.  I learned a lot in those early years and unfortunately Subterranean Sound was doomed from the get-go as we didn’t know enough about business then and the negativity, selfishness, and later betrayals from one of the early members led to a schism in the crew which saw us all moving on to our own projects by around 2005.  Future Roots was both a reaction to those experiences and an idea that had been building for a long time – I put my focus into hosting events with risk taking and cutting edge bass music and once it was rolling there was no looking back 🙂
8. You recently released a cassette tape on Future Roots recently, which was such a classic move! How did that do for you guys? Do you have more plans in store for Future Roots you’d care to share?
The reaction to the tape has been inspirational! The cassette has so much history both within Dance music and the whole scope of music industry and I felt that the concept of Future Roots worked perfectly within that as well.  I think people really want to support music but the mediums have been forsaken – it’s much more difficult now to produce a physical version of your music and even harder to sell it – I decided that tape would be our first foray for all the reasons already stated but also the fact that it was within our reach as an independent and a way to put something real into the world of ‘things’ – it really matters to me that you can hold it in your hand and get a sense of who we are as artists and what we want to accomplish – and the best part is that the download is always included with the tapes so someone who still just want the digital, someone who doesn’t even have a tape deck can still buy the tape to support us and for all the reasons anyone ever would and still have the music in all the formats they desire!
9. What personal advice would you give to someone wanting to pursue this career?

First of all I should state that this is not a “career” but rather a “passion-that-can-sometimes-pay” so I advise never to chase the “career” angle. That being said there are many careers in the music industry and they are varied and often quite fulfilling but as always the most elusive and the one I think you are asking about and that I am referring to is the career of “Musician”.  Do it for love of your art form and for NO other reason – if you enter this pursuit with a passion to create you will be happier – and pleasantly surprised if the magic combination of talent, charisma, luck, and opportunity conspire to take that passion into career territory.

10. What are typical mistakes people make when trying to pursue a career in music?
Do not do it for fame or money, both could come but neither will last.  I have seen many try and fail and am aware of many empty shells of former people who were once maybe artists but are now products.  In a nutshell this industry can and has chewed up and spit out too many to name.  I would first avoid the pitfall of changing your sound to suit the “current taste” – adaptability is good but too much flexibility means the backbone is gone. I’ve seen seminars and youtube videos alike advise modern students and newcomers to change their sound until they hit success – this is fine if you only want fame of money but see my first sentence for the outcome of that.  Stay true to yourself as a person and as a artist!  Also please don’t let your pursuit of music as a career destroy personal relationships – I’ve seen a few walk this dark path and it leads to maybe fame, and maybe fortune, but the price is loneliness and emptiness – don’t forsake your friends, family and lovers for the idea of a career that is built mainly on fantasy – the life of a working and touring musician is harder than many think and if it starts to become a reailty maintaining balance is very important as  fame or money will never last like healthy relationships.

EVeryman Interview

1. What are you working on right now?
I’m Currently working on my new EVeryman solo EP entitled “Good Deeds.”  I am also working on finishing up new final Little giants EP that I began with Pumpkin.  Little Giants is Pumpkin and my hip hop group.  We are a throw back to 90’s era hip hop. I have also started the process of creating a 501(c)(3) non for profit foundation called The Little Giant Acorn Foundation For The Arts.

2. What was your favorite 90’s jam?
That’s a tough one, but Award Tour by A tribe Called Quest might have to be it…Maybe Root Down by the Beastie Boys also…
3. How long have you been making music?
I have been playing with my family’s records since I can remember I wanted to be a dj and a rapper.  I have actually been making my own music since 2007.  I started freestyle rapping in 2001 with my college roommate who went by DropAflo at the time.  He was a famous rapper in Italy for a time.
4. What inspires you?
I am inspired by film, tv shows, the media, politics, women and other music artists.  especially old school hip hop. Daily interactions with our fellow humans…
5. What changes would you like to see to the music industry to make it more profitable?
I think artists should get more love and respect.  It’s hard with so many new producers and artists out there.  Music is easy to get for free.  I think no one should sell music anymore… Just make money off shows and tours.  Live performance is where it is at anyway for me.
6 . What would you like to do more of?
More tours and more live shows that benefit a charity or go towards educating the youth in arts and music.
7. Where would you like to see yourself in 10 years?
Running several programs to help give free arts and music education to those who want it.  Making music and making films that help to promote positive change in the world.  Working with likeminded peers to help progress the arts community while helping on a much larger global scale through arts and music and theatre events.
8. What personal advice would you give to someone wanting to pursue this career?
Make sure you are not attached to a final outcome.  Don’t quit doing it if you truly love it.  If you don’t find what your passion is and go and do that because the world truly needs those who are putting their energy into something they actually care about. Don’t be an artists for the money.  If you’re in it for the money GET OUT! We are artists because we want to express something truly human about ourselves.  Because we want to share our perspective on the world through the abstract.  Don’t be fooled by glitter and gold.  The entertainment industry is pretty messed up.  But it does allow us to shine in our own way if we can detach fro the “right” way to do things.  There is no “right” way if you are focused and committed to your art no matter what then you are doing it right!
9. What are typical mistakes people make when trying to pursue this career?
They are attached to an outcome… They are in it for the money… They expect results right way… They compare themselves to their peers and artists that inspire them… Remember you are you and the world wants to see you, not your version of who you think they want you to be.  BE YOU!!! ❤

10. Could you fill us in on the Little Giant Acorn Foundation?image1.JPG

Nick “Pumpkin” Alvarado was a beloved musician, clown and most importantly, friend to so many in our community. While he is sadly no longer with us, his spirit lives on through his music and the thousands of people he touched over the years. To honor his memory, the Little Giant Acorn Foundation memorial fund has been established to help childrn who want to pursue a career in music or performing arts that otherwise couldn’t afford to.

As of now, this very moment, we are raising funds to ensure that we can have the money for legal fees to become a 501-(c)(3), set up a board of trustees and sponsors, create a fundraising video campaign, and to organize a team to teach our first round of Little Giant Acorn Summer camp!

Another goal of the fundraising is to finish Nick’s music. Pumpkin and Little Giants both had music that was nearly finished that still needs to be released and shared wit the masses. All the funds raised here will go back into the memorial fund. A remix charity album will be created by Pumpkin’s Peers with remixes from : Fort Knox Five, JPOD, K-Lab, CloZee, Spiltmilk, and many more!  Grassroots has made for which all sales go to the foundation and we are also selling memorial t-shirts.

By purchasing this limited edition t-shirt, you are ensuring Nick’s spirit continues to shine bright while also helping to inspire the next generation of little acorns.


We had our first foundation fundraiser on October 28th The First Annual Pumpkin Ball, in which we raised over $3000 for the charity.

Stay tuned for much more on special events, classes, workshops, and how you can help children who can’t afford an education in the arts and music on their own. ♥

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2017 EVERYMAN AND QDUP TOUR INFO:Qdup Everyman Logo_Solo.jpg
LA’s Evan ‘Everyman’ Shafran and Washington, DC’s Jason ‘Qdup’ Brown are embarking on a co-headlining tour together in 2017! We are looking to have the guys hit February through March. Let me know if you have any holds we can grab.
Over the past several years, both have earned increased recognition by releasing acclaimed original music and delivering genre-defying DJ sets consistently at clubs and festivals across the US and abroad.
In the wake of tragedy, the last year has thrust the two of them into the spotlight having each respectively stepped into the shoes of their fallen friends and music collaborators Nicholas ‘Pumpkin’ Alvarado and Jon Horvath of Fort Knox Five. Qdup has been touring extensively with Steve Raskin from the Fort Knox family performing a unique Four Deck Set that incorporates live mash-ups and turntablism since the passing of Jon H in late 2015. Similarly, Everyman has been rocking festivals and club shows heavily over the spring and summer since the passing of Nick earlier in 2016. His well-received Pumpkin tribute sets included a showcase of their Little Giants hip hop project, which Pumpkin and Everyman collaborated on. On their forthcoming tour, Qdup and Everyman will showcase Everyman’s distinct MC skills with a hip hop set featuring original music – including Little Giants work as well as other material. Along with their separate DJ sets, Qdup and Everyman are sure to bring a true block party vibe that will run the gamut of dance floor infused breaks, hip hop, funk, house and bass music that the boys are known for championing.
In honor of Pumpkin, Everyman has recently started a society called ‘Little Giant Acorn Foundation for the Arts’, a not-for-profit charity organization established to provide music and arts programs to children who do not have the means to attain them otherwise. A portion of all proceeds from this tour will go to benefit the foundation and keep the Pumpkin legacy alive.